Guia docente 2016_17 Facultade de Filoloxía e Tradución

Contidos

Tema	Subtema
1. 20TH & 21ST CENTURY LITERARY GENRES IN ENGLISH: A LITERARY & FILMIC INTRODUCTION	1.1. “A movie moves, and a book talks, and that’s the difference, you see”: Adapting Literary Texts to Film 1.2. The Language of Film: Film Terms and Topics for Film Analysis and Writing.
2. FILMING (LONG) SHORT STORIES: TRANSITIONAL TEXTS	2.1. A masterpiece example: Francis Ford Coppola’s Apocalypse Now (1979) from Joseph Conrad’s Heart of Darkness (1902)
3. FILMING NOVELS: THREE CASE STUDIES	3.1. Canonical Texts: Michael Radford’s Nineteen Eighty-Four (1984) from George Orwell’s 1984 (1949). 3.2. Best-Seller: Francis Ford Coppola’s The Godfather (1972) from Mario Puzo’s The Godfather (1969) 3.3. Modern Classic: Anthony Minghella’s The English Patient (1996) from Michael Ondaatje’s The English Patient (1992)
4. FILMING THEATRE: TWO THEATRICAL/FILMIC STANDARDS	4.1. James Foley’s Glengarry Glen Ross (1992) from David Mamet’s Glengarry Glen Ross (1984) 4.2. Miloš Forman’s Amadeus (1984) from Peter Shaffer’s Amadeus (1979)
5. FILMING POETRY: IMAGERY AND VISIONS	5.1. Nonlinear poetry through cinematic techniques: Rob Epstein and Jeffrey Friedman’s Howl (2010) from Allen Ginsberg’s Howl (1956)