Guia docente 2019_20
Facultad de Filología y Traducción
Grao en Linguas Estranxeiras
 Materias
  Literatura e outras artes do primeiro idioma estranxeiro: Inglés
   Contidos
Tema Subtema
1. THEORY AND PRACTICE OF SHAKESPEARE, FILM AND THE ARTS 1.1. WILLIAM SHAKESPEARE: ESSENTIAL CONTEXT OF AN ART ICON.
1.1.1. Screening Shakespeare: A swift overview.
1.1.2. Understanding Shakespeare: Interpretation vs. Overinterpretation.
1.1.3. Shakespeare and the Arts: An Overview.

1.2. FILM AS TEXTUAL/VISUAL ART: FUNDAMENTALS OF FILM ANALYSIS AS A MULTIARTISTIC ANALYTICAL TOOL.
1.2.1. Mise en Scène: Design, Arquitecture.
1.2.2. Cinematography: Moving Photography & Painting.
1.2.3. Editing: Seeing the Narrative.
1.2.4. Sound and Music.
2. VISUALIZING SHAKESPEARE(S): AN MULTIFACETED CASE STUDY IN MACBETH
& MUCH ADO ABOUT NOTHING.
2.1. MACBETH. TEXT, FILM, ARTS AS TRAGEDY.
2.1.1. Macbeth: In-Depth Textual Analysis.
2.1.2. Rupert Goold's Macbeth (2010): Underground Art.
2.1.3. Akira Kurosawa's Throne of Blood (1957): East-West Artistic Divide.
2.1.4. Mark Brozel's Macbeth (2006): MacShakespeare on the TV Screen.

2.2. MUCH ADO ABOUT NOTHING: TEXT, FILM, ARTS AS COMEDY.
2.2.1. Much Ado About Nothing: In-Depth Textual Analysis.
2.2.2. Kenneth Branagh's Much Ado About Nothing (1993): Flamboyant Artistic Comedy.
2.2.3. Brian Percival's Much Ado About Nothing (2006): Sitcoms & Popular Artistic Forms.
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