| 1. INTRODUCTORY ASPECTS. |
1.1. William Shakespeare’s The Tempest (1611): Text, themes, plot and critical review.
1.2. Major contemporary critical perspectives on The Tempest. Overlapping categories? Political, Postcolonial, Feminist, Performance, Psychoanalytic, Postmodern. |
2. SAME FINAL BOW, DIFFERENT STORMS: THE TEMPEST (1611) ON SCREEN THROUGH THREE OUTSTANDING CASE-STUDIES.
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2.1. Julie Taymor’s The Tempest (2010): Subverting the patriarchy through the inner landscapes of the mind.
2.2. Derek Jarman’s The Tempest (1979): Shakespeare as anti-establishment queer transgression.
2.3. Peter Greenaway’s Prospero’s Books (1991): Visual performance through sex and technology. |
