I. Recorded and image. Principles referents to the graphic work.
- Introduction to the procedures and own thoughts of the graphic technicians for the creation of multiple image and *seriada. Notion of multiple original work.
- Approximation to the concepts to record, *incidir, remember, write, draw, leave footprint, etc.
- History, vocation and evolution of the graphic technicians.
- Terminology, nomenclature, etc.
- Explanation of the different manual procedures and of his languages.
- The experimentation and the multiplication like base of an evolutionary graphic project. Repetition, transformation, *seriación, evolution, etc.
II. Ideation and preparation of a graphic project.
- Approach of a theoretical project-practical taking into account the conceptual characteristics of the graphic art.
- ¿Why a patterned work, reproducible –or no-, multiple, *seriada…?
- Contrive an evolutionary project through the preparation and transformation of the/*s matrices and of the different resources in the stamping, with a minimum of ten images.
- Preparation of a theoretical memory. Preparation of the project:
- Approach and previous outlines
- theoretical Investigation and research of references
- Planning of the production.
- Preparation of a theoretical project.
III. PRODUCTION - EXPERIMENTATION
For the production of the projects will value different appropriate resources to each language and conceptual project, from a matrix to stray iron or with the combination of several matrices and his stamping with multiple resources. Realisation of a group or series of images in the idea of evolutionary project (multiplication-transformation).
Production (preparation of the/*s matrices and his stamping):
• Xylography on plywood, *dm or linoleum.
- Project to an alone colour
- Several colours to stray iron.
- Black way…
• Recorded *calcográfico or direct processes on metal, *PVC, methacrylate...
- Dry tip (line and stain).
- Black way
- Additive. *Carborundo. Varnishes or indirect processes (by means of acids).
- Etching (line and values with halftones)
- Technical of raised and *aguatinta (stain) or direct processes on metal, *PVC, methacrylate or technical with additives, *collagraph, on cardboard, wood... - Agglutinative, adhesive and materials of load. - Effects and textures with collage.
• Resources of stamping (in black and colours) - *Entintado and cleaning of the matrices according to the results looked for (contrasted, *entrapado, tone of plate, *à the *poupée …).
- *Re-Stamping
- *Entintado in gap and relief, method *Hayter. - *Entintado Of staff, cuts, reservations, *chine *collé….
- Stamping on different papers.
• Election and preparation of the papers.
• Dried and pressing.
• Final presentation in a folder. Each image with his technical index card.