Guia docente 2023_24 Facultade de Comunicación

Contents

Topic	Sub-topic
1. Introduction to the theoretical aspects of non-fiction film	1.1. Context 1.2. Definition 1.3. Characteristics
2. General history of non-fiction film	2.1. Incubation 2.2. Appearance 2.3. Institutionalisation 2.4. The camera and the subject 2.5. Identity and diversity 2.6. The digital paradigm
3. Classical documentary modes	3.1. Exposure mode 3.2. Observational mode 3.3. Interactive mode 3.4. Reflective mode 3.5. Performative mode 3.6. Poetic mode
4. Contemporary non-fiction film	4.1. Fake 4.2. Found Footage 4.3. Cinema Essay 4.4. Post-documentary stories and practices
5. Ethical space in non-fiction cinema	5.1. The place of the filmmaker 5.2. The gaze in the documentary
5. Documentary film production	5.1 Development 5.2 Production 5.3 Filming 5.4 Post-production 5.5 Marketing and distribution