Expected results from this subject |
Typology |
Training and Learning Results |
To know different examples of the implementation of Plastic Education, Technical Drawing and Art Modules curricula. |
|
A33 A35 A36 A37 A38 A41 A42 A44
|
|
To relate the content of the CBD to tangible working proposals. |
|
A33 A35 A36 A37 A38 A41 A42 A44
|
|
To relate the each development stage of the adolescents to different classroom activities. |
|
A35 A37 A38 A39 A44
|
|
To understand the working dynamics in ESO, Bachillerato and Professional Formation Modules.
|
|
A33 A35 A36 A37 A38 A41 A42 A44
|
|
To know real examples of course development and classroom management. |
|
A33 A35 A36 A37 A38 A41 A42 A44
|
|
To know the work of several education professionals in the field of Arts, Plastic Arts and Drawing from their experience. |
|
A33 A35 A36 A37 A38 A41 A42 A44
|
|
To develop didactic programs led by working projects. |
|
A35 A36 A37 A38 A41 A44
|
|
To manage different tools for creating your own presentations and educational resources. |
|
A38 A40 A42
|
B1 B2 B3
|
To develop public speaking skills. |
|
A47 A48
|
|
To analyse and experiment with different ways of teaching and learning in the new cultural setups. |
|
A40 A42
|
B1 B2 B3
|
To use appropriate web platforms to share, exchange and store different types of files. |
|
A40
|
B1 B2 B3
|
To use 2.0 tools to support education and distance learning. |
|
A35 A38 A39 A40 A42
|
B1 B2 B3
|
Teamworking. |
|
|
B2 B3
|
To create informal learning networks to complement and support formal learning. |
|
A40 A42
|
B1 B2 B3
|
To use Dynamic Geometry as a teaching resource. |
|
A36 A38 A40 A42 A44
|
|
To acquire the ability to interpret, understand and demonstrate geometric constructions without memorising. |
|
A36 A38
|
|
To combine Representation Systems and Dynamic Geometry to create animations. |
|
A36 A38 A40 A42
|
|
To know the different historical approaches to perspective and to reflect on their implications. |
|
A32 A34
|
|
To master projection mechanisms as key to transform the three-dimensional world into a two-dimensional representation. |
|
A34 A36
|
|