In this matter will do a route by the artistic demonstrations from the Antiquity until the 18th century analysing the aesthetic ideas that governed the creation of the art of each one of the periods in which conventionally we divide the History.
In her we will see how architecture, sculpture, painting and even the decorative arts are not only independent disciplines and isolated of his context, but, on the contrary, are the result of some historical processes, social, religious and even economic that have conditioned them, favoured and produced with some intentions and with a determinate public.
