2. VISUALIZING SHAKESPEARE(S): AN MULTIFACETED CASE STUDY IN MACBETH
& MUCH ADO ABOUT NOTHING.
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2.1. MACBETH. TEXT, FILM, ARTS AS TRAGEDY.
2.1.1. Macbeth: In-Depth Textual Analysis.
2.1.2. Orson Welles’ Macbeth (1948): Film Noir, Art Noir, Avant-Garde.
2.1.3. Akira Kurosawa’s Throne of Blood (1957): East-West Artistic Divide..
2.1.4. Mark Brozel’s Macbeth (2006): MacShakespeare on the TV Screen.
2.1.5. Rupert Goold’s Macbeth (2010): Underground Art
2.2. MUCH ADO ABOUT NOTHING: TEXT, FILM, ARTS AS COMEDY
2.2.1. Much Ado About Nothing: In-Depth Textual Analysis.
2.2.2. Kenneth Branagh’s Much Ado About Nothing (1993): Flamboyant Artistic Comedy.
2.2.3. Brian Percival’s Much Ado About Nothing (2006): Sitcoms & Popular Artistic Forms. |
