2. Fear, escape and transgression in women’s Gothic. |
2.1. The Gothic and the tradition of escape.
2.2. Mary Shelley’s Frankenstein (1818).
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4. Disguise and subterfuge of women writers’ anger and complaints. |
4.1. Objective social comment: Harriet Martineu.
4.2. Rebellion and rage of. childhood: Charlotte Brontë and George Eliot. |
6. Social criticism within the novel |
6.1. Reaction to the industrial conflicts: Elizabeth Gaskell’s Mary Barton (1848) |