| 2. The primitive mode of representation |
2.1. The primitive frame
2.2. The establishment of a certain linearisation
2.3. The construction of a habitable space
2.4. The constitution of a ubiquitous subject |
| 4. Responses to classical narrative |
4.1. The historical avant-gardes
4.2. The German Expressionism
4.3. The Soviet avant-garde |
| 6. The crisis of classical narrative |
6.1.European narratives after World War II
6.2. Post-war Mannerism in Hollywood
6.3. The appearance of tv-movie and the narrative transformations |
