Guia docente 2015_16
Facultad de CC. Sociales y de la Comunicación
Grao en Comunicación Audiovisual
 Subjects
  Audio-visual post-production
   Contents
Topic Sub-topic
Preproducción Oriented to the postproduction. Communication between production and postproduction.
how to listen and see.
Analysis of script.
Production planning.(Postproduction needs to set in preproduction)
Format setting.
Style (direction)
Info delivery by department.
Choosing the right format.
Previous technical concepts. Sampling and quantification.
File formats.
Video formats.
Codecs/Formats for broadcasts and postproduction.
Media workflow.
Editing > Postproduction > Editiing/conform
Naming files.
Interface And philosophy of postproduction systems Creation of projects and adecuación to format.
Transmission of contents between systems and equipments.

AUDIO:
Processing equipment.
Analog and digital consoles.
Sound playback equipment: monitors of vicinity and systems of listens.
Parasound.
Surround.
Architecture of Process stations.
Signal Processors.
Frequency Processors.
Dinamic processors.
Time Processors.
Noise reduction.
ProTools.

VIDEO:
Systems by layers and nodes.
Channels.
Keyers.
Trackers.
Effects.
After effects. (other systems)
Production for postoproduction. AUDIO:
Wildtrack.
Effects in location.
Dubbing process.
Translation and adjust of the text.
Takeing.
Creation of audible elements (MIDI and Foley).
Recording soundtrack's music.

VIDEO:
Recording and illumination.
NodalPan.
References for track.
References for integracion 3DCGI (theory).
Stereoscopy.
Postproduction processes Processes of AUDIO postproduction:
News postproduction:
Documentarys postproduction:
Fictión postproduction:
Postproduction in stereo and surround.
Treatment of the elements of the soundtrack.
Treatment of the dialogues.
Treatment of the non musical audible elements.
Treatment of the music.
Downmix.

VIDEO:
Channels and operations with layers.
Masks, poligonal and bezier.
Texts and graphic on image.
elements removal.
Keyers (luma, chroma, difference).
Effects.
Correction and colour adjust.
Combination of compositions.
Rotoscopy.
Tracks And image stabilize.
Practices AUDIO:
Analisis of the quality of recording.
Conversion To compressed format.
Compare quality.
Transmission of audio between equipmnet.
Dubbing of a scene.
Postproduction of a previous recorded work.
Elaboración of soundtrack.
Creation of digital audio effects and Foley.
Creation of Music.

VIDEO:
Import/export of sequences between NLE and composer.
Composite project.
Recorded quality analisys.
ChromaKey
Integration chroma layers(differente colour temperature).
composite nesting.
Integration of titles with texture over image.
Masks.
removing objects of a escene.
Integration of image in a monitor (moving camera, track)
3DCGI Integratión.

COMMON:
Personal Project using subjetc tools.
solve new issues added to the project.
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