Guia docente 2023_24 Facultade de Belas Artes

Contents

Topic	Sub-topic
GENERAL CONTENTS Dice the multidisciplinary character of this subject and the transversalidade that requires, establish several blocks of work. They Will impart theoretical contents-practical related and in continuous dialogue with the final project, around one project of multiple art seriado.	THEMATIC CONTENT. Characteristics of the contemporary multiple art: Multiplication - variation - repetition - transformation. IT all and the fragmentation. Uniqueness and multiplicidad. Seriación. Confluencia And integration of disciplines. Hybridization. Disciplines related with the manufacture of work reproducible: analog and digital Image. Technical traditional graphics, experimental, industrial, mixed. Photograph. Illustration. Graphic design. History: of the "suite" recorded and the recorded of illustration to the project seriado contemporary, the book of artist or the book of photograph. Fields of difusión and consumption of the multiple work today: market, edition, centres of difusión, certames, fairs, internet,... CONTENT OF The PROJECT. Multiple art: of the graphic project seriado to the book of artist. The multiple project, or the book, how global artistic project. Concept/idea: narratividad, visual codes, communicative function, collection, archive, the concept book, ... Format: dimensions, relation of the all and his parts, independent works or joined, number of pieces in the all, ... Structure: fragmentation, secuencialidad, rhythm, loop, transversalidade, ... Processes: Techniques of reproduction, graphic techniques (xilografía, recorded calcográfico, serigrafía, addictive, ...), digital processes, photograph, ... Materials: papers, others bear. Presentation: folder, box, book (cover, covers, covers, flaps, *contraportada, policemen, ...). Credits, signs technical. Parallel investigation. Research of referents. Reading of texts. Presentation of the project.
I. RECORDED And ESTAMPACIÓN	I.1. PROJECT And HALF. Election of the technical process more suitable. Combination of processes. Experimentation. Evolutionary matrix. Iron lost. Resources of estampación (colours, rodetes, collage, ...). Relations of permeabilidade and absorción between traditional and digital processes. I.2. #GRAPHICS And SERIOUSCIÓN. Repetition / transformation. Of the emblazons to the page. I.3. It BEAR: Papers, cloths, others. I.4. PRESENTATION: Folders, manual or digital book.
II. PUBLISHING DESIGN And MAQUETACI*ÓN	II.1. The TIPOGRAFWENT: types, styles, sizes,%or2026 II.2. MAQUETACIÓN BASIC: Composition in the page: organisation, visual hierarchy, encryption, text and imane, ... II.3. The RETÍCULA. Parts of a retícula, definition of the retícula, margins. II.4. PARTS OF A BOOK. The page, the double page and it everything. I.5. ENCADERNACION. Types of *encadernación.
III. DIBUJIT And ILLUSTRATION	III.1. The DRAWING HOW TRANSVERSAL MEANS IT ALL The DISCIPLINES. III.2. RECORDED And ILLUSTRATION. III.3. FASCICLES And FASCICLES OF FIELD. III.4. *FANZINE. COMIC.
IV. PHOTOGRAPH	IV.1. The PHOTOGRAPH HOW TOOL IV.1. The PHOTOGRAPH HOW EXPRESSIVE TOOL And OF COMMUNICATION. Concepts, creativity and ways of expression. IV.2. The ANALOG And DIGITAL IMAGE. Resources of manipulation and transformation. IV.3. INPUT OF The DIGITAL IMAGE. Scanned. Resolutions of entrance in relation with the formats and the final dimensions. *V.4. PRODUCTION. Digital printers. You bear.
*V. INTERDISCIPLINIAREDA	V.1. COMBINATION OF PROCESSES, MESTIZAXE: Justification. Adecuación Between language and concept. V.2. DESDIBUJAMIENTO OF The DISCIPLINES: Art and communication. Design and art. The book of artist how mixed project, ... V.3. DIGITAL IMAGE. Scanned. Resolutions of entrance in relation with the formats and the final dimensions. *V.4. PRODUCTION. Digital printers. You bear.