Guia docente 2021_22 Facultad de Ciencias Sociales y de la Comunicación

Contents

Topic	Sub-topic
1. Introduction to the theoretical aspects of non-fiction film	1.1. Context 1.2. Definition 1.3. Characteristics
2. General history of non-fiction film	2.1. Incubation 2.2. Appearance 2.3. Institutionalisation 2.4. The camera and the subject 2.5. Identity and diversity 2.6. The digital paradigm
3. Classical documentary modes	3.1. Exposure mode 3.2. Observational mode 3.3. Interactive mode 3.4. Reflective mode 3.5. Performative mode 3.6. Poetic mode
4. Contemporary non-fiction film	4.1. Fake 4.2. Found Footage 4.3. Cinema Essay 4.4. Post-documentary stories and practices
5. Documentary film production	5.1 Development 5.2 Production 5.3 Filming 5.4 Post-production 5.5 Marketing and distribution